https://asja.me Asja Mijovic Mon, 27 Apr 2026 21:39:48 +0000 https://asja.me en https://asja.me/Main-Slideshow Wed, 24 Jan 2024 01:32:49 +0000 Asja Mijovic https://asja.me/Main-Slideshow <img width="802" height="451" width_o="802" height_o="451" data-src="https://freight.cargo.site/t/original/i/66c7df2b6c018f48c4742b2bbb474b481257bf641a89104aad67f0f9774bb0e4/hEART.png" data-mid="241221562" border="0" data-scale="50" src="https://freight.cargo.site/w/802/i/66c7df2b6c018f48c4742b2bbb474b481257bf641a89104aad67f0f9774bb0e4/hEART.png" /> https://asja.me/About Wed, 24 Jan 2024 01:32:50 +0000 Asja Mijovic https://asja.me/About &nbsp; <img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/68f399c4e5c6eae72127183b3f34910964afc1b7b75556b0a6878b5c5f539e6c/usa-viza.jpg" data-mid="202636290" border="0" data-scale="77" src="https://freight.cargo.site/w/600/i/68f399c4e5c6eae72127183b3f34910964afc1b7b75556b0a6878b5c5f539e6c/usa-viza.jpg" />by fotoboni Asja Mijović&nbsp; b. 2001 in Podgorica, Montenegro[Bio] Instagram asjamijovic [at] yahoo [dot] com https://asja.me/Exhibitions Mon, 27 Apr 2026 21:39:48 +0000 Asja Mijovic https://asja.me/Exhibitions selected shows:︎︎︎ Open Studio, Atelier 11, L’AiR Arts, Citè Falguière, Paris︎︎︎ Breaking Point, Eugster Gallery, Belgrade︎︎︎ The Life of Dead Flowers, Citè des Arts, Paris https://asja.me/drawings-and-objects Wed, 24 Jan 2024 01:16:44 +0000 Asja Mijovic https://asja.me/drawings-and-objects <img width="4160" height="5200" width_o="4160" height_o="5200" data-src="https://freight.cargo.site/t/original/i/916e7f5722773dc86ee51fef49ce0d14ef93199d420dec2c462f8ad8970d5178/DSCF5407.jpg" data-mid="248853464" border="0" src="https://freight.cargo.site/w/1000/i/916e7f5722773dc86ee51fef49ce0d14ef93199d420dec2c462f8ad8970d5178/DSCF5407.jpg" />breadcrumbs2026wax, burnt bread <img width="3512" height="6240" width_o="3512" height_o="6240" data-src="https://freight.cargo.site/t/original/i/5024b3a1b41c02c06e27913f6ec861b8026b7804385e9f97985d531c809c7fef/Bouquet.jpg" data-mid="247638259" border="0" src="https://freight.cargo.site/w/1000/i/5024b3a1b41c02c06e27913f6ec861b8026b7804385e9f97985d531c809c7fef/Bouquet.jpg" />Bouquet2026paper, pencil, gelatin Open Studio: L’AiR Arts, Atelier 11 artist in residence, Cité Falguière, Parissee full show <img width="4329" height="5411" width_o="4329" height_o="5411" data-src="https://freight.cargo.site/t/original/i/3e4346f16c863524e28a53b9192d05a6d899e79e2b6e38443c8f9b735bb825c0/Wrappings-1-higher-fidelity.jpg" data-mid="247635179" border="0" src="https://freight.cargo.site/w/1000/i/3e4346f16c863524e28a53b9192d05a6d899e79e2b6e38443c8f9b735bb825c0/Wrappings-1-higher-fidelity.jpg" /> Wrappings 22026wax, leftovers Open Studio: L’AiR Arts, Atelier 11 artist in residence, Cité Falguière, Parissee full show<img width="5740" height="3231" width_o="5740" height_o="3231" data-src="https://freight.cargo.site/t/original/i/64bf7ee6ab9555b85a982eb111db7a305641450440ad5b69bde8c3f15582cd02/DSCF4642-Svila.jpg" data-mid="247639810" border="0" src="https://freight.cargo.site/w/1000/i/64bf7ee6ab9555b85a982eb111db7a305641450440ad5b69bde8c3f15582cd02/DSCF4642-Svila.jpg" /> Svila2026horse hair, beeswax, wool comb Exposed, Curated by Chaos and Cosmos, L’AiR Arts,&nbsp;Cité Falguière, Paris see the full show |&nbsp;Vijesti article <img width="5435" height="3891" width_o="5435" height_o="3891" data-src="https://freight.cargo.site/t/original/i/87a63b35e72f3475a6f88a1818905a4358b0bf1eb53ddaca99faddd86e63abf9/Breaking-Point-Documentation.jpg" data-mid="247620784" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/87a63b35e72f3475a6f88a1818905a4358b0bf1eb53ddaca99faddd86e63abf9/Breaking-Point-Documentation.jpg" /> Abscence of Glass / Within the Door2026negative: doors, hinges&nbsp; positive:glass Breaking Point, Eugster Gallery, Belgrade more photos <img width="6240" height="3512" width_o="6240" height_o="3512" data-src="https://freight.cargo.site/t/original/i/464ab92b8d6ef56a4e04db8e379e82a1055868792af60ab38a4231c376dfe20c/DSCF4239-Enhanced-NR.jpg" data-mid="242083986" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/464ab92b8d6ef56a4e04db8e379e82a1055868792af60ab38a4231c376dfe20c/DSCF4239-Enhanced-NR.jpg" />Procession202595 x 64 x 34 cmmirrors, glass, plastic flowers <img width="6240" height="3512" width_o="6240" height_o="3512" data-src="https://freight.cargo.site/t/original/i/23ec652a6ecbb528e476a8c2020f26f4001e30aa4b2e614a6e4cde0f3de16fac/Scatter-1.jpg" data-mid="241212662" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/23ec652a6ecbb528e476a8c2020f26f4001e30aa4b2e614a6e4cde0f3de16fac/Scatter-1.jpg" /> Scatter 1202595 x 64 x 34 cmmirror, glass, plastic flowers, horsehair The Life of Dead Flowers, Cité Internationale des Arts, Paris see the full show <img width="3300" height="2550" width_o="3300" height_o="2550" data-src="https://freight.cargo.site/t/original/i/a4ba27c88c7080d685f4bba1bcc6a07076a56bf65131996ad14972157657ffba/Mijovic_Asja_Ravijojla_XL_ORECK.jpg" data-mid="247640074" border="0" src="https://freight.cargo.site/w/1000/i/a4ba27c88c7080d685f4bba1bcc6a07076a56bf65131996ad14972157657ffba/Mijovic_Asja_Ravijojla_XL_ORECK.jpg" />Ravijojla ORECK XL DUSTMASTER 2025150 x 50 x 30 cmvacum, plastic, dust Placeholder, Curated by Copenger, Friends Meeting at Cambridge, Boston&nbsp; Death Café, Curated by Tess Manhattan, Drama Gallery New YorkRavijojla ORECK XL DUSTMASTER animated &nbsp;<img width="3512" height="6240" width_o="3512" height_o="6240" data-src="https://freight.cargo.site/t/original/i/6df7eea6d09b7c52277a9e6faa01945e3d79d499f618f67a62dc3b63f232a370/Nest_2.jpg" data-mid="227155268" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6df7eea6d09b7c52277a9e6faa01945e3d79d499f618f67a62dc3b63f232a370/Nest_2.jpg" />nest202580 x 40 x 42 cm armoire, wax, hair click for more <img width="4713" height="6598" width_o="4713" height_o="6598" data-src="https://freight.cargo.site/t/original/i/3f551f48c5c04118e5311df7ceec10a3e46b50000a9d8a61864930866601a10b/Mijovic_Asja_Umbillical_Cords_Exhibition_View.jpg" data-mid="243825865" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/3f551f48c5c04118e5311df7ceec10a3e46b50000a9d8a61864930866601a10b/Mijovic_Asja_Umbillical_Cords_Exhibition_View.jpg" /> umbilical cords2024200 x 30 cm found chair, 8 hr overbeaten abaca, hemp, ink Print and Paper Annual Exhibition, TUAG-SMFA Atrium, Boston 2024 <img width="7882" height="5255" width_o="7882" height_o="5255" data-src="https://freight.cargo.site/t/original/i/f6537e001d084f003efe13d3370a3c5b253381e4c84fbddc6ba2d00b799920c6/Mijovic_Asja_Ghost_Trap_Exhibition-View.jpg" data-mid="243265196" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/f6537e001d084f003efe13d3370a3c5b253381e4c84fbddc6ba2d00b799920c6/Mijovic_Asja_Ghost_Trap_Exhibition-View.jpg" /> Ghost trap [musical instrument - collaboration with Kyle Tomlinson]2024180 x 40 x 30 cm lobster trap, 8 hr overbeaten abaca, embedded bladderwrack, ink, goat rawhide, dulcimer strings and knobs, wood Thaw, Distler Hall, Anderson Auditorium, Medford, MA click for more <img width="7254" height="8576" width_o="7254" height_o="8576" data-src="https://freight.cargo.site/t/original/i/5bd7a9388c53790b862be646ca3c063196c322817fc4dcfe4686ae1250c26e7d/2U5A1921-frame-stretcher-paper.jpg" data-mid="202804831" border="0" src="https://freight.cargo.site/w/1000/i/5bd7a9388c53790b862be646ca3c063196c322817fc4dcfe4686ae1250c26e7d/2U5A1921-frame-stretcher-paper.jpg" />Stretcher2024200 x 190 cm canvas stretcher, 4 hr overbeaten abaca Drawing with a window and a chair 2023 200 x 500 x 190 cmfound wicker chair, found window, steel frame, hinges, thread click for more &nbsp; <img width="6436" height="9654" width_o="6436" height_o="9654" data-src="https://freight.cargo.site/t/original/i/bcc7dd2b5dd4a92e5e182be5da446458e41839319a45abcab4d91f4e7c4da30b/2U5A1733.jpg" data-mid="202635394" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/bcc7dd2b5dd4a92e5e182be5da446458e41839319a45abcab4d91f4e7c4da30b/2U5A1733.jpg" /> Drawing with a window and a chair&nbsp;2023200 x 50 x 30 cm <img width="9579" height="5388" width_o="9579" height_o="5388" data-src="https://freight.cargo.site/t/original/i/c089ecae18c5c790f15b48405d811c3607a2768db335afbca7ef857bc051688b/2U5A1597-2-lalalong.jpg" data-mid="202635525" border="0" src="https://freight.cargo.site/w/1000/i/c089ecae18c5c790f15b48405d811c3607a2768db335afbca7ef857bc051688b/2U5A1597-2-lalalong.jpg" /> Still-Life of Flowers202360 x 30 x 15 cm click for moreAlso see: The&nbsp;Life of Dead Flowers Entanglement202350 x 50 x 190 cm construction mesh, synthetic hair, brush, chair click for more <img width="6743" height="8428" width_o="6743" height_o="8428" data-src="https://freight.cargo.site/t/original/i/4d531c79b2fb46fe61a9c4686fe246e509876674a4bd6dcacfcbde195176313c/Skinning-a-chair.jpg" data-mid="202635640" border="0" src="https://freight.cargo.site/w/1000/i/4d531c79b2fb46fe61a9c4686fe246e509876674a4bd6dcacfcbde195176313c/Skinning-a-chair.jpg" /> There are many ways to skin a chair 2023-In progess shots.200 x 200 x 50 cm wicker chair, 8hr overprocessed abacapaper, ink A process of archiving the imprints of the chair. The ink seaps through the translucent abaca.&nbsp; click for more <img width="5547" height="3120" width_o="5547" height_o="3120" data-src="https://freight.cargo.site/t/original/i/a41302b86bd80f4e64215e5aed2a330b03e3727947bd157dadc0d60c8530876c/2U5A1754-lalalong-copy.jpg" data-mid="202969108" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/a41302b86bd80f4e64215e5aed2a330b03e3727947bd157dadc0d60c8530876c/2U5A1754-lalalong-copy.jpg" /> Untitled202260 x 30 x 15 cm shellfish, ink, thread, abaca paper, graphite.&nbsp; <img width="5792" height="5792" width_o="5792" height_o="5792" data-src="https://freight.cargo.site/t/original/i/6ee3a938fa87b82f6fd8c2d97b5740ef40c580c59769f49aaffa8e907db3a514/Munika-Crust.jpg" data-mid="202635636" border="0" src="https://freight.cargo.site/w/1000/i/6ee3a938fa87b82f6fd8c2d97b5740ef40c580c59769f49aaffa8e907db3a514/Munika-Crust.jpg" /> Pealing Munika Crusts202215 x 15 cm Mixed-media on paper Impressions of a decaying munika tree bark.&nbsp; Produced during the&nbsp;pinus heldrechii project with MES. <img width="3868" height="5311" width_o="3868" height_o="5311" data-src="https://freight.cargo.site/t/original/i/6dea0d165d8f7d09c72dbded4bcdc3639f32f20c032e495441f0946f00a010a8/Passages-backwards.jpg" data-mid="202969764" border="0" src="https://freight.cargo.site/w/1000/i/6dea0d165d8f7d09c72dbded4bcdc3639f32f20c032e495441f0946f00a010a8/Passages-backwards.jpg" /> Passages backwards202359.5 x 84.1 cm drawing, pen, oil strick <img width="1002" height="1280" width_o="1002" height_o="1280" data-src="https://freight.cargo.site/t/original/i/d6cf4f245e6719620f7bab4f5f3219ade308e1981bfac8c60ed89267070c71de/drawing.jpg" data-mid="203008374" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d6cf4f245e6719620f7bab4f5f3219ade308e1981bfac8c60ed89267070c71de/drawing.jpg" /> A shooting star202330 x 40 cm Mixed-media on paper <img width="3471" height="3074" width_o="3471" height_o="3074" data-src="https://freight.cargo.site/t/original/i/90660d69baa1a81c2400acb679da73e38339cc0f1f39bb34afdeb8e8a3bc0380/DSCF1440_1.JPG" data-mid="203008389" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/90660d69baa1a81c2400acb679da73e38339cc0f1f39bb34afdeb8e8a3bc0380/DSCF1440_1.JPG" /> told me to give away202220 x 20 cm Mixed-media on paper <img width="3277" height="2336" width_o="3277" height_o="2336" data-src="https://freight.cargo.site/t/original/i/e5f28c636ff4a536d9da9927e626f2339835c4a10f0ab2d74452c6b2c99effe8/I-wish-we-could-dive-in-the-sea-but-you-Website-3wallless-you.jpg" data-mid="211068902" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/e5f28c636ff4a536d9da9927e626f2339835c4a10f0ab2d74452c6b2c99effe8/I-wish-we-could-dive-in-the-sea-but-you-Website-3wallless-you.jpg" /> I wish we could dive in the sea but you would drown me202229 x 42 cm glitter, acrylic, pen.&nbsp; <img width="3190" height="2428" width_o="3190" height_o="2428" data-src="https://freight.cargo.site/t/original/i/2018262dd94c1d34ca7c3b3c25962f4d9b6c6789c2d38e39169966bbf4fb666d/DSCF2507.jpg" data-mid="211076490" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/2018262dd94c1d34ca7c3b3c25962f4d9b6c6789c2d38e39169966bbf4fb666d/DSCF2507.jpg" /> Once upon a time a Jean-Luc Mélenchon poster202260 x 30 x 15 cm&nbsp; overturned political campaign poster, acrylic paint, graphite, gesso 14:23 Afternoon in Medford2019video: 5 mins A procession of randomness and encounter at 14:23 in Medford, Massachussetts. <img width="3512" height="6240" width_o="3512" height_o="6240" data-src="https://freight.cargo.site/t/original/i/5024b3a1b41c02c06e27913f6ec861b8026b7804385e9f97985d531c809c7fef/Bouquet.jpg" data-mid="247638259" border="0" src="https://freight.cargo.site/w/1000/i/5024b3a1b41c02c06e27913f6ec861b8026b7804385e9f97985d531c809c7fef/Bouquet.jpg" /> https://asja.me/curation Wed, 24 Jan 2024 01:16:45 +0000 Asja Mijovic https://asja.me/curation <img width="7238" height="5074" width_o="7238" height_o="5074" data-src="https://freight.cargo.site/t/original/i/164ebb4038f71cb5bdc49291c4c3352b0ce0c24476d720ebad5d95551c39baa2/2.jpg" data-mid="224844012" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/164ebb4038f71cb5bdc49291c4c3352b0ce0c24476d720ebad5d95551c39baa2/2.jpg" /><img width="6779" height="4491" width_o="6779" height_o="4491" data-src="https://freight.cargo.site/t/original/i/36fac30aae0016909adac67bba9d23f55bd98f870ebd629435dd4efb236b8341/7.jpg" data-mid="224844011" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/36fac30aae0016909adac67bba9d23f55bd98f870ebd629435dd4efb236b8341/7.jpg" />photo credit: Adrian Wong Cinema&nbsp; An Hà and Yolanda He Yang December 8, 2024 - January 10, 2025 Horseroom, WorcesterCurated by Asja Mijovic and Julia PetrocelliIn her youth, Joan of Arc did many household chores: spun wool, helped her father in the fields and looked after their animals. She made soap by mixing dirt, tallow and ashes. Her mother provided Joan’s religious education as a daughter of the Catholic Church.At night, my family showers, then I shower.We all use the same bar of soap, and the wind from the open bathroom window blows the water and the stray hairs from the corner to the left. I pick them up from the drain and arrange it in twirls on the tiles along with the dirt, tallow, ashes stuck to the porcelain floor. And tomorrow the soap is smaller. Around 1453 years before Joan of Arc’s death, Pliny the Elder, whose writingschronicle life in the first century AD, describes soap as “an invention of the Gauls”. The word sapo, Latin for soap, is connected to a mythical Mount Sapo, a hill near the River Tiber where animals were sacrificed.I drive through a long tunnel at the mountain’s base. The glowing image of the landscape at the end of it widens as I approach, revealing a pasture where a herd of wild horses graze near a flowing stream. Not many animals were sacrificed in Roman religions, except for eating. One of the only known exceptions is the October Horse, a sacrifice to the god of war, during horse racing festivals at the end of the agricultural season in the third century BC. The frame of the tunnel breaks my vision, sunlight beams past as the wind whips. The horses pass, the stream runs red as it rolls by my window.The sound of a flock of birds lifting in the air! <img width="612" height="792" width_o="612" height_o="792" data-src="https://freight.cargo.site/t/original/i/6616e855f57a92187021e9e461476338a6711e75564bd4cfe230b899f78d0065/MARKETPLACE-Poster.jpg" data-mid="202636425" border="0" data-scale="80" src="https://freight.cargo.site/w/612/i/6616e855f57a92187021e9e461476338a6711e75564bd4cfe230b899f78d0065/MARKETPLACE-Poster.jpg" /> <img width="2402" height="1702" width_o="2402" height_o="1702" data-src="https://freight.cargo.site/t/original/i/3dc9dd5d7afea711a4e99cdfc2092394735366bee8fd1815d7ecb8dfb178d2b7/Screenshot-2024-01-23-at-21.42.54.png" data-mid="202636460" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/3dc9dd5d7afea711a4e99cdfc2092394735366bee8fd1815d7ecb8dfb178d2b7/Screenshot-2024-01-23-at-21.42.54.png" /> Poster and Catalogue designed by Terry Cole&nbsp; marketplace Dates: Dec 2- 4&nbsp;Curator: The Gems Collective [Terry Cole, Ivy Lockhart, Estefania Morales, Julia Petrocelli and Asja Mijovic] Location: Subcentral Cultural Center Cambridge, MA Poster Design: Terry Cole Collective&nbsp;Instagram Marketplace considered a circulating economy operating through online commerce manifesting in face-to-face transactions such as Facebook Marketplace and Craigslist. The exhibition featured nineteen artists, one other collective, a band and a DJ, hailing from Boston, Hamburg, Manchester and Missouri.&nbsp; <img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/f605133be68c0b75f8aeb172ffcba9ff6084f6bba2637c7251551af32cea28fb/DEEP-HOUSE-for-the-website.png" data-mid="202969913" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f605133be68c0b75f8aeb172ffcba9ff6084f6bba2637c7251551af32cea28fb/DEEP-HOUSE-for-the-website.png" />Artists Are Presents at the Raveformat: raveNov 4, 2023Bromfield HouseCountry: USADJs: Dj Skip, Dioklet Curators: The Gems Collective [Terry Cole, Ivy Lockhart, Estefania Morales, Julia Petrocelli and Asja Mijovic] A happening: 8-hour rave organized by the GEMS collective in a Somerville residence made during the preparation for the Marketplace exhibition. The event was inspired by Hito Steryl's article "The Terror of Total Dasein." Subverting the economy of presence, it featured mystery artists behind the Marina Abramovic masks. <img width="600" height="1067" width_o="600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/4c8391d3b74cc1435ea1266af3703a83509576ed1492fe37df30c8578f22cccf/gif-abramovic-2.gif" data-mid="202637155" border="0" data-scale="45" src="https://freight.cargo.site/w/600/i/4c8391d3b74cc1435ea1266af3703a83509576ed1492fe37df30c8578f22cccf/gif-abramovic-2.gif" /><img width="600" height="1067" width_o="600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/e649c1cbfea864f262cf4f26ab48aead06747c380b38df6597eb28f6b520f4ee/gif-abramovic-1.gif" data-mid="202637156" border="0" data-scale="45" src="https://freight.cargo.site/w/600/i/e649c1cbfea864f262cf4f26ab48aead06747c380b38df6597eb28f6b520f4ee/gif-abramovic-1.gif" /> <img width="1170" height="2532" width_o="1170" height_o="2532" data-src="https://freight.cargo.site/t/original/i/064d81ebb7f9f5326925c9751285860ed352130db7d69a3ff1701bc08bece539/Image.jpeg" data-mid="202969870" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/064d81ebb7f9f5326925c9751285860ed352130db7d69a3ff1701bc08bece539/Image.jpeg" /> Simlish &amp; SimulacraFormat: Exhibition. Happening.April 8, 2023Sunset House, Somerville Curators: Wanjie Li, Seth Gordon, Asja Mijovic Poster design: Adrian Wong A pop art event at Sunset House blended the official language of EA's Sims with Baudrillard's critical theory on Simulacra &amp; Simulation. Curated by house inhabitants, Seth Gordon, Wanjie Li, and myself, it showcased 30 artists examining invented language, linguistics, games, simulations, and avatars. Attendees were given explicit instructions to don themselves in randomly generated Sims outfits. The exclusive entry requirement for the event was simple: attendees had to bring a Simoleon bill, Sims' in-game currency, which we previously reappropriated, resized to dollar dimensions and clandestinely distributed around Boston, the SMFA, and the Tufts campus. At the event, Simoleons took on a new significance—they became the sole currency accepted for the purchase of libations and any consumables available. The party unfolded into a night of ephemeral internal economy, rife with debates over the amount of Simoleons at hand, spontaneous theft, and impromptu currency exchanges between Simoleons and actual dollar bills.To enhance the experience, Amazon Alexa-connected speakers, placed in the middle of the room, issued a command every hour for ten minutes, compelling attendees to "speak in Simlish." Those unfamiliar with the official Simlish lexicon were encouraged to invent their own language on the spot. The event unfolded as a transient convergence of linguistic experimentation, artistic expression, and digital subversion, blurring the boundaries between reality and simulation. <img width="792" height="1224" width_o="792" height_o="1224" data-src="https://freight.cargo.site/t/original/i/5c033ae73d16b31137f1a97dea76434cd6faf7080802b9f82bfaf92b2391861e/IMG_6901.jpg" data-mid="202969871" border="0" data-scale="75" src="https://freight.cargo.site/w/792/i/5c033ae73d16b31137f1a97dea76434cd6faf7080802b9f82bfaf92b2391861e/IMG_6901.jpg" /> Making KinDate: Nov 4 2022Location: Sunset House, Somerville, USAFormat: Pop-up exhibition, party Curators: Asja Mijovic, Julia Petrocelli, Wanjie LiPoster design: Asja Mijovic Inspired by the Düsseldorf project and the Beaux-Arts Academy in Paris, I returned to the U.S. in the fall of 2022 and curated Making Kin, an exhibition at my Somerville residence, featuring works by students from my alma mater, the School of the Museum of Fine Arts. The event addressed the lack of exhibition opportunities within the university culture.&nbsp;The show was the initial attempt for us to connect, make kin and build lasting creative connections.&nbsp; The title, drawn from Donna Haraway’s The Companion Species Manifesto and Staying with the Trouble also explored the concept of kinship across species and things. Guests were invited to reflect on connections with non-human entities by dressing as something they’d like to “make kin” with (e.g., bacterium, kombucha scoby, hedgehog). The event also featured ethereal musical performances by Roman Barten-Sherman, Ed Hans, Kyle Tomlinson, Quinn (DrFartens/Marz), and a loud old ventilator <img width="1242" height="1544" width_o="1242" height_o="1544" data-src="https://freight.cargo.site/t/original/i/f65b25684de651be3aae21f91922d46cf88adacc8c41111bbabedc9486869de5/Screenshot-2023-12-05-at-3.19.38-PM.png" data-mid="202971509" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f65b25684de651be3aae21f91922d46cf88adacc8c41111bbabedc9486869de5/Screenshot-2023-12-05-at-3.19.38-PM.png" /> BoxenstoppDate: July 7-10 2022 ektr 365, Dusseldorf, GEFormat: Exhibition, Residency Curators: Rosalie Becher, Sofia Magdits Poster design: Video documentation of opening night Instagram "Boxenstopp" was a collaborative exhibition and residency initiated by a group of artists, including those on exchange at the Beaux Arts de Paris and students from the local Kunstakademie Düsseldorf. Over the course of 11 days, we squatted and transformed a former Alfa Romeo car dealership into a pop-up art space. The exhibition featured a curated arrangement, turning the venue into a functional living space with a kitchen, a sleeping area, and a sitting room. The homemaking project unfolded over the 11 days of the exhibition, concluding with everyone dispersing to various corners of the world. The name "Boxenstopp," translating to "pit stop" in English, encapsulates the concept of our venture – a service station for refueling, learning, exchanging ideas, cohabitating, and creating. Our venture from Paris to Düsseldorf to everywhere else is a stop to refuel, learn, exchange, cohabitate, and create before returning home. https://asja.me/curriculumvitae Wed, 24 Jan 2024 01:16:45 +0000 Asja Mijovic https://asja.me/curriculumvitae .section { margin-bottom: 2em; } .year-group { margin-left: 1em; } .year-line { display: flex; gap: 2em; } .year-line .year { font-weight: bold; min-width: 3em; } .entry-list { margin-left: 5em; margin-top: 0.3em; } .entry { margin-bottom: 0.2em; } Asja Mijovicb. 2001 in Podgorica, Montenegro Education 2024 School of the Museum of Fine Arts at Tufts University, Bachelor of Fine Arts, Studio Art, Boston, United States Tufts University, Bachelor of Arts, Philosophy &amp; Civic Studies, Boston, United States 2022 École Nationale Supérieure des Beaux-Arts de Paris, Exchange Program (atelier James Rielly &amp; atelier Julien Sirjacq), Paris, France Solo/Duo shows 2026Dead Flowers Rising, Atelier 11—Cité Falguiere, Paris 2025The Life of Dead Flowers, Cité Internationale des Arts, Paris 2022Drawings Evolved, Edwin Gallery / SMFA, Boston&nbsp;Group Shows 2026 Crna Gora Danas: Otvoreno Polje, Museum of Contemporary Art of Montenegro, Podgorica Gdje lica dodiruju sunce, sjenka postaje laka, Artists’ Pavillion, Podgorica Exposed, Curated by Chaos and Cosmos, L’Air Arts,&nbsp;Cité Falguière, Paris Breaking Point, Eugster Gallery, Belgrade Godisnja izložba ULUCG, Artists’ Pavillion, Podgorica 2025 Death Café, Curated by Tess Manhattan, Drama Gallery, New York Placeholder, Friend’s Meeting at Cambridge, Cambridge Osamdeset Godina Umjetnosti, JU Museum and Gallery Tivat &amp; Artists’ Pavillion, Tivat &amp; Podgorica 2024 Yard Vessel Shed Edge, Hudson Yards, New York The Leisure Class Symposium-Survival in the 21st Century, Deichtorhallen Hamburg, Hamburg Building Backwards, Tufts University Art Galleries, Boston Resonance Sound Media, ArtsHaus, Boston Paper and Print Annual Show, Tufts University Art Galleries, Boston 2023 Marketplace, Subcentral, Cambridge Thee first ever art show an art show, Currents Gallery, Boston Simlish and Simulacra, Sunset House, Boston 2022 Making Kin, Sunset House, Boston Čarolije Munike, Kuslevova Kuća, Podgorica La sorcière, le bouffon, les sentinelles, le fantôme et la princesse, Donjon de Vincennes, Vincennes, FR Boxenstopp, Erkr Straße 365, Düsseldorf Portes Ouvertes, Beaux-Arts de Paris, Paris Degree Zero, Galerie Droite et Gauche Beaux Arts de Paris, Paris Hypernorme, Court Vitre Beaux Arts de Paris, Paris 2021 Drawing and Painting Area Show, Tufts University Art Galleries, Boston 2020 Dream, Digital Design Studio, Boston SMFA Media Arts Annual, Tufts University Art Galleries, Boston 2019 Ordinary and Extraordinary, Ashford School, Ashford, Kent, UK Performance 2024 The Friendship Diagram, Spoonbill and Sugartown Books, New York Thaw, Distler Hall, Boston One Minute Solos, Presented by Mobius, The Lilypad, Cambridge HAIR, Pop-Up Performance Show, Faro Cafe, Cambridge 2023Artists are Present at The Rave, Bromfield House, Boston Residencies 2026 Atelier 11—L’Air Arts, Cité Falguiere, Paris Mokrin Art Colony, Mokrin, Serbia 2025 Cité internationale des arts x ULUCG, Paris 2023 Institute for Ferrous Metallurgy, NikšićGrants and Awards 2026 Goethe Institut, Culture Moves Europe, Funded by EU 2025 UNESCO Small Grants for Individuals, CC4WBs, Funded by EU 2024 Joyce McDaniel Prize for Excellence in Sculpture, awarded by SMFA special committee Print and Paper Award, awarded by SMFA Print and Paper Department 2023 Dean’s Research Award, awarded by Dean of SMFA 2021 Career Center Internship Award, Tufts University 2017–19 HMC Scholarship, Ashford School Press 2026 Interview, Buro Rs, J.Milinčić, “Umjetnosti su potrebni realizacija, podrška i publika” Review, Vijesti, J. Kontić: “Svila” by Asja Mijović from Piva and Durmitor to Paris Feature, Vogue Adria, B. Jovanović: “We spoke to the participants of Mokrin Art House Colony” 2025 Interview, Monitor, P. Nikolić: “Art Forges a better world” 2024 Interview, Vijesti, J. Kontić:&nbsp;Young Montenegrin artist Asja Mijović for Vijesti: Destruction is the beginning of a new form Publications 2025 2024 Friendship Diagram, selected works Almost Close to Very Nearly Nothing, Currents Magazine, ISSUE XI 2022 Upload Mattress Here, Printed in Berlin, Launched in Berlin, Dresden, Düsseldorf and New York Marketplace, designed by Terry Cole; Published: Boston.&nbsp; Curatorial projects 2024 Cinema, Horseroom, Worcester, MA What we make for ourselves and lie in, Bromfield Gallery, Boston 2022 Marketplace, Subcentral, Cambridge Simlish and Simulacra, Sunset House, Boston Making Kin, Sunset House, Boston 2022 Boxenstopp, ErkrStraße 365, Düsseldorf Collectives 2025 ULUCG 2023 Club Curate-GEMS 2022 Boxenstopp Languages Serbo-Croatian English French Italian Spanish Native Bilingual Upper-intermediate Intermediate Elementary