
ravijojla (fairy)
2025
150 x 50 x 30 cm
vacum, plastic, dust
2025
150 x 50 x 30 cm
vacum, plastic, dust

nest
2025
30 x 25 x 25 cm
aromoire, wax, hair
2025
30 x 25 x 25 cm
aromoire, wax, hair

umbilical cords
2024
200 x 30 cm
found chair, 8 hr overbeaten abaca, hemp, ink
2024
200 x 30 cm
found chair, 8 hr overbeaten abaca, hemp, ink
On the separation of the body. One into many or through many umbilical cords.

Ghost trap (musical instrument)
2024
180 x 40 x 30 cm
(ghost) lobster trap, 8 hr overbeaten abaca, embedded bladderwrack, ink, goat rawhide, dulcimer strings and knobs, wood
2024
180 x 40 x 30 cm
(ghost) lobster trap, 8 hr overbeaten abaca, embedded bladderwrack, ink, goat rawhide, dulcimer strings and knobs, wood

Stretcher
2024
200 x 190 cm
canvas stretcher, 4 hr overbeaten abaca
Drawing with a window and a chair
2023
200 x 500 x 190 cm
found wicker chair, found window, steel frame, hinges, thread
2023
200 x 500 x 190 cm
found wicker chair, found window, steel frame, hinges, thread
Examination of gesture. The opening of the window introduces tension in the thread, threatening destruction of the chair. The piece is an assemblage of movement, dance and wicker iterations.


Still-Life of Flowers
2023
60 x 30 x 15 cm
found wicker chair, found window, steel frame, hinges, thread
2023
60 x 30 x 15 cm
found wicker chair, found window, steel frame, hinges, thread
One day, I saw the trash cans spilling over with plastic flowers that once laid on the tombstones. I thought: Vanitas! Memento Mori! The 17th Century Dutch Still-Lifes. What is the death of plastic flowers?
After collecting the plastic flowers I submerged them in wax and placed them in an open casket. Viewing of the work becomes a ritual akin to a funeral, envisioning a procession lasting a thousand years—the time it takes for plastic to decompose.
After collecting the plastic flowers I submerged them in wax and placed them in an open casket. Viewing of the work becomes a ritual akin to a funeral, envisioning a procession lasting a thousand years—the time it takes for plastic to decompose.
Entanglement
2023
50 x 50 x 190 cm
construction mesh, synthetic hair, brush, chair
2023
50 x 50 x 190 cm
construction mesh, synthetic hair, brush, chair
A piece of plastic mesh gracefully flew onto my street. I wove strands of synthetic hair onto it. I brush to draw and separate the meshes’ hairs from a knot, akin to a mother brushing away, sometimes gently, sometimes vigorously.

There are many ways to skin a chair
2023-In progess shots.
200 x 200 x 50 cm
wicker chair, 8hr overprocessed abacapaper, ink
2023-In progess shots.
200 x 200 x 50 cm
wicker chair, 8hr overprocessed abacapaper, ink
A process of archiving the imprints of the chair. The ink seaps through the translucent abaca.

Untitled
2022
60 x 30 x 15 cm
shellfish, ink, thread, abaca paper, graphite.
2022
60 x 30 x 15 cm
shellfish, ink, thread, abaca paper, graphite.

Pealing Munika Crusts
2022
15 x 15 cm
Mixed-media on paper
2022
15 x 15 cm
Mixed-media on paper

Passages backwards
2023
59.5 x 84.1 cm
drawing, pen, oil strick
2023
59.5 x 84.1 cm
drawing, pen, oil strick

A shooting star
2023
30 x 40 cm
Mixed-media on paper
2023
30 x 40 cm
Mixed-media on paper
told me to give away
2022
20 x 20 cm
Mixed-media on paper
2022
20 x 20 cm
Mixed-media on paper

I wish we could dive in the sea but you would drown me
2022
29 x 42 cm
glitter, acrylic, pen.
2022
29 x 42 cm
glitter, acrylic, pen.

Once upon a time a Jean-Luc Mélenchon poster
2022
60 x 30 x 15 cm
overturned political campaign poster, acrylic paint, graphite, gesso
2022
60 x 30 x 15 cm
overturned political campaign poster, acrylic paint, graphite, gesso
14:23 Afternoon in Medford
2019
video: 5 mins
2019
video: 5 mins
A procession of randomness and encounter at 14:23 in Medford, Massachussetts.